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In a different sort of dystopia, Emily St. John Mandel’s Station Eleven has struggles in a world that is perhaps not all that different than our own. And maybe what her post-apocalyptic world lacks is already remedied by Jesus?

From Knopf’s jacket copy:

“An audacious, darkly glittering novel about art, fame, and ambition set in the eerie days of civilization’s collapse, from the author of three highly-acclaimed previous novels.

One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor’s early days as a film star to fifteen years in the future, when a theater troupe known as The Travelling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor’s first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet. Sometimes terrifying, sometimes tender, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.”